![]() ![]() I was very happy with the similarities in the GUI between the two synthesizers. However, Repro-1 was really good for creating thick bass and percussive sounds. I am use to polyphonic synthesizers and do not have extensive experience with monophonic synthesizers. I believe it creates much richer sounds and holds more possibilities. Almost each preset I tried, I found myself being inspired to create.Īfter using both Repro-1 and Repro-5 extensively, I find myself gravitating towards the Repro-5. The factory presets sound amazing in both units. Extremely powerful, yet, relatively light on my CPU. Both the Repro-1 and Repro-5 are very impressive plug-ins. However, after a significant amount of research, it is safe to say that u-he kept true to the iconic analog synthesizers with regards to both the sound of the synths and the look. I want to begin by mentioning that I do not have experience with Sequential Circuits' Pro-One nor the Prophet 5. The ‘zzz’ button, when turned on, activates sleep mode, which further the CPU friendly setting of both plug-ins. By turning this off the user can save on their CPU usage. Both the Repro-1 and Repro-5 have an HQ (high quality) button. The extra buffer is only necessary if either the host or audio driver processes ‘unusual’ buffer sizes. 41, Repro-5 processes the first 32 and keeps the remaining 9 in a small buffer (16 samples is large enough). If the number of samples to be processed is e.g. ![]() This block processing method significantly reduces the CPU load and memory usage of all our plug-ins. Repro-5 processes audio in chunks of n x 16 samples. A well-organized directory and detailed tags make it easy for the user to find a preset that captures the essence of what they are looking for. The preset page is very easy to navigate and features a vast collection of very inspiring presets. In the current version there are 10 jumpers and 6 module option selectors. The tweaks page is there to let you change the fundamental behavior of individual modules. Modulation parameters on the left, oscillators in the center and filter / amplifier on the right. The synth page has a simple and intuitive layout. The three main pages for Repro-5 are synth, tweaks and presets. As long as the key is held down, the envelope proceeds through the ATTACK and DECAY stages, remains at the SUSTAIN level until the key is released, then drops to zero at a rate set by the RELEASE knob. The filter envelope is started whenever a note is played. VOICE MOD routes the filter envelope and/or oscillator B to three destinations. In Repro-5, modulation is assigned in 3 different panels (VOICE MOD, WHEEL MOD and the MATRIX). Repro-5Ī synthesizer’s expressiveness depends largely on its modulation capabilities. This feature captivates the eye and makes both synthesizers very fun and experimental. The five blue ‘jumpers’ switch the fundamental behaviors of various other parameters. The Amp and Filter Envelopes boast four alternative models, including a useful one-shot mode for percussion sounds. The Oscillator and filter menus offer a handful of alternative circuits. One thing that sets both the Repro-1 and Repro-5 apart from other synthesizers I have used is the ‘tweaks page.’ The ‘tweaks page’ removes the top panel of the GUI to reveal the printed circuit board allowing the user to further adjust and modulate their sound. The user also has the ability to record their own steps with a MIDI keyboard when ‘step record’ is enabled. Sequences can be easily edited, allowing the user to control the step length and pitch, velocity and type per step. The sequencer page gives the user a much more in-depth pattern creation and features two 32-step pattern editors which can either be triggered independently or chained together for sequences of anything up to 64 steps. The arpeggiator included is great for very quickly activating an arp sequence. The outputs of the two oscillators are blended in the mixer section, along with a white noise generator or bass-boosting feedback circuit. Oscillator B generates saw, triangle and pulse waves. ![]() Oscillator A outputs saw and/or pulse waves. Repro-1 is great for creating quality sounding mono basses, leads, plucks, effects and drum sounds. Repro-1 is comprised of two monophonic oscillators and a low-pass filter accompanied by a variety of modulation sources, arpeggiator, step sequencer and incredible effect modules. With upwards of 500 presets, Repro-1 is sure to inspire every user. The user is able to jump right in and start creating quality sounds right away. Repro-1’s GUI is intuitive and aesthetically pleasing. Repro-1 stays true to the authenticity of the Pro One by keeping the soul of the hardware intact whilst providing the user with the convenience and flexibility of a virtual instrument. Repro-1 is modelled after Sequential Circuits’ Pro One synthesizer, a monophonic analog synth from the early 80s. ![]()
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